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Porsche 993: the 911 that had to succeed

In retrospect, it’s easy to say Porsche’s mistake was its decision to keep the G-series 911 in production for 15 years, but from the company’s point of view, through the early 1980s the 911 was selling ever more strongly.

Regular updates and revisions ensured it remained at the top of the performance stakes. The robustness which made it a car you could count on day after day meant that despite its archaisms, it was still the ultimate road and track sports car.

However, within Porsche it was also a source of frustration to many of its engineers and designers keen to modernise it, dispensing, for example, with the torsion bar suspension and introducing assisted steering and a less idiosyncratic ventilation system. Journalists in other respects always well disposed towards the 911 observed it was becoming increasingly an enthusiast’s car, lacking broader appeal and depriving Porsche of a wider market.

The 928 launched in 1977 was supposed to address the GT segment of the market, but by the time the Vorstand had approved the next 911, Typ 964 in April 1984, sales of the 928 were already in decline. The 964 itself was a radical step in engineering terms – a completely new chassis and suspension which allowed fitment of ABS and assisted steering, a larger and more potent flat six, and four-wheel drive.

A conservative board, however, would not permit the designers to change anything above the axle line, which meant the 964, despite its revised front and rear bumpers, looked remarkably similar to its predecessor. Moreover its four-wheel-drive, such an innovation when Audi introduced the Quattro in 1981, was no longer a sensation, and early 964 buyers were able to confirm what the magazine testers had found, that Porsche’s fixed 2:1 rear/front torque split made the latest 911 an uninspiring understeerer.

The rear-drive C2 911 appeared a year later, but by then the damage had been done: in a generally morose market, and one which had halved in the US, clearly the 964 would not be the model to rescue an increasingly beleaguered Porsche.

A rolling of management heads saw new blood brought into the company. A former Weissach R&D engineer named Ulrich Bez was enticed from BMW Tech to become engineering boss, and he appointed his chief designer at BMW, Harm Lagaaij, another ex-Weissach man, to reinvigorate Porsche styling. These two were the impetus behind the next 911: the 993.

Bez was particularly critical of the 964’s crude ride and the C4’s handling, and Lagaaij’s remark when he arrived at Porsche’s design studios in October 1989 that there was “nothing going on” has gone into the history books. Work on 911 Typ 993 would start within weeks of the 964 C2 reaching the showrooms.

This time, a chastened Vorstand, which had pensioned off its managing, engineering and styling directors in short order, was prepared to offer Bez and Lagaaij more licence, and the pair took as much advantage as their still-constrained development budget permitted. 

Nevertheless, the new 911 represented a challenge: how could the new 993 retain its defining ‘Neunelfer-ness’ yet be endowed with a more modern appearance and wider appeal? 

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Porsche: concepts mules and prototypes

Before any new model goes into manufacture the design – in various stages of finalisation – has to go through practical testing. These vehicles are prototypes, recognisably and most often visually identical to the subsequent production vehicle.

Far less frequently these days, where more extensive research and dynamic development can be carried out with software simulations, a manufacturer experiments with a radical new idea by building some of the technology into the preceding model. These cars are often referred to as ‘mules’.

In the past, the need to keep particular experiments confidential even led to some mules wearing total disguises to fool both press and competitors.

Examples of this at Porsche include the Audi 100 Coupe, into which Weissach shoehorned the 928’s V8 and running gear; later the 928’s innards would also be built into an Opel Diplomat.

Concepts are used by manufacturers to float an idea, to test acceptability of a particular design or style. A phenomenon which in today’s homogenised and regulated auto industry has become unusual, the most successful example in Porsche history was the Boxster concept, greeted with standing ovations when it was revealed in 1993.

That the resultant Boxster – which would closely prefigure the new 911 – was so similar to the concept was a tribute to Porsche’s original design, achieving homologation with a minimum of compromises which usually dilute and sometimes completely spoil the original idea.

The real workhorses of pre-production are, of course, the prototypes, masked these days if their makers want to hide them by an astute application of chequered tape, which brilliantly sabotages visual perspective.

Of the thousands of prototypes built, virtually all of them are subsequently broken up, occasionally to the dismay of auto historians. In deference, however, to the interest they generate, Porsche has selected a handful of the more remarkable prototypes it has kept, and sometimes displays them at the Museum at Zuffenhausen…

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Fast Porsche Speedster

“The engine was the spare, well, it was what became the spare engine; it had been the primary engine in HR2, the 962 which I raced. It was the Daytona engine,” says Bruce Canepa.

It isn’t every shop that has such an engine going spare, and when Las Vegas casino owner Gary Primm contacted Canepa about the disappointing 1989 911 Speedster he’d just had delivered, the stars aligned.

Primm had driven his Speedster about 100 miles and found it lacking, calling Canepa to ask: “What can we do with this thing? It’s boring, and slow,” Primm and Canepa having collaborated previously on an AMG build.

It didn’t take Canepa long to figure out what to do with the Speedster. He admits: “They were pretty underwhelming. They had no power, they had a Turbo chassis, which was almost too much car for the motor, and they were flexy.”

He thought for a while before fixing on the idea of a 934 for the road. “Really, the nicest thing about Primm and a lot of my customers is he just let me build what I want,” says Canepa. “He didn’t really know what a 934 was. I said ‘we’re going to put on 934 flares; they look cool. We’re going to make it look like a Porsche race car, but with no roof on it.’”

The result is sitting in Canepa’s showroom in Scotts Valley, California. I’ve been poring over it for over an hour. Even here among Porsche rarities of
the like you’ll seldom see outside Porsche’s own Stuttgart Museum, the Speedster is a knockout.

G1 Guards red, because that’s how it was delivered to Canepa (all of Primm’s cars are red), the build is so beautifully executed it could easily be a factory car, albeit a very special one.

The deep front splitter has its outer cutouts filled by running lights behind Perspex, and the remaining three large intakes are pure 934 race car. In the unlikely event that the front bumper left you guessing, this is a Speedster unlike any other. Those 934-proportioned flared arches front and rear, covering 17-inch, three-piece BBS alloy racing wheels, leave little doubt.

Those punctured rear wings feed intake air into the engine, this Speedster taking the idea of a Turbo-bodied Speedster to its ultimate incarnation. Only unlike the standard cars, the visuals are more than matched by the mill…

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Porsche 930 3.0: reviving an icon

There are few icons greater in the Porsche stratosphere than the 930 3.0. The first 911 supercar, Porsche’s Turbo nomenclature has survived to this day – and it all began in 1974 with that wide-arched and whale-tailed 930.

Today, those early 3.0-litre cars are highly sought-after among collectors as the archetypal Porsche 911 Turbo. Finding one is the biggest task, particularly from the first model year of 1975 when just 274 examples were built for worldwide markets. It is estimated only 20-30 of these original cars exist today.

From there, condition and provenance is key – which is why we believe this example, expertly curated by Mash Motor, to be one of the best examples of early 930 3.0 on the planet. Brilliantly restored (though still retaining original parts including the 930’s thicker carpets) car no. 55 of that original 274 is a special car.

Delivered on March 5th 1975 to Porsche Centre Autorama in Verona, Italy, as an exhibition car, chassis 5700065 was bought by a Swiss customer. It subsequently lived in Austria, owned by the renowned Porsche author, Dr. Georg Konradsheim, before being sold to its current owners who recently completed a painstaking two-year restoration to bring the matching-numbers car back to its original Copper brown hue.

Cover star of our issue 181, chassis 5700065 is one of the best examples of 930 we’ve driven. Below you’ll find a gallery of the car’s thorough restoration back to 100% original specification. This special 930 is now for sale – interested parties should contact Mash Motor.

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Turbo v Carrera: 930 3.0 vs 2.7 MFI

After the swing of the 1960s, the 1970s are often lambasted, wrongly viewed as a decade of energy crises, political upheaval and scandal. The reality is that while the 1970s might have been a turbulent decade, they were also arguably a turning point in the modern world. 

Those energy crises did raise global concerns over consumption and, unsurprisingly, the car was in the firing line, particularly in the US. Increasing legislation for fuel economy and emissions, as well as safety, demanded change. That created problems for Porsche with the 911.

The 911s of 1970’s America would feature detuned engines to pass economy standards, EU and RoW cars largely escaping those, though those US regulations would have a pronounced impact on how the 911 would look. 

From 1973 onwards US domestic and imported cars had to survive a 5mph collision without any damage to the headlights, engine or safety equipment. The 911’s bumpers had to change, with the US regulation demanding innovation.

The G-series bumpers were born, revolutionising the 911’s look and ensuring it would pass not just the 1973-onwards regulations, but also the later zero-damage standards that would come into force over the next decade. 

Porsche evidentially thrives on the challenges posed by regulation, and those US rules forced the company’s hand changing the 911’s look. The styling department is credited as being responsible for those iconic bumpers, under then-director Anatole Lapine and a team consisting of Wolfgang Möbius, Dick Söderberg and Peter Reisinger. 

In contrast to so many rivals’ hastily devised, somewhat awkward efforts, Porsche’s solution to the regulations was beautifully integrated and simply engineered. Larger, higher, body-painted bumpers with neoprene rubbing strips were adopted, to which functional ‘bellows’ which compressed on impact were fitted.

The bellows were a neat solution which allowed the bumpers to move as much as 50mm, and were attached to collapsible steel tubes on European cars and hydraulic shock absorbers on US cars. The new bumpers were instrumental in the relocation of the battery, too, the now single battery being located in the luggage compartment in front of the left-hand front wheel, improving the weight distribution.

The rear would see a similarly styled wrap-around bumper hung off a complex aluminium extrusion, the lightweight metal adopted to keep additional mass at the rear to a minimum. Above the rear bumper Porsche adopted a reflective red band, joining the rear lights in with a styling element that’s largely pervaded the 911’s rear visual signature ever since. 

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